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Puno Ardila, former cultural director and former head of Publications at UIS, honored at the Bogotá International Book Fair

Puno Ardila

Amid the literary buzz that each year turns the Bogotá International Book Fair into the cultural heart of the country, there are names that do not arrive as novelties, but as legacies. This Thursday, April 23, one of them will take the stage bearing the weight of an entire life devoted to language, music, and culture: Puno Ardila Amaya.

He is not an author of trends or fleeting showcases. Rather, he is one of those figures who have woven culture through quiet persistence. Editor, university professor, journalist, musician, cultural manager, and philologist: a combination of roles that, far from dispersing him, defined him. That is why the “Lifetime Achievement 2026” recognition is not just an award; it is a way of settling a debt with someone who has spent decades building thought through words.

“Part musician, part poet, part madman—we all have a bit of each,” says the popular proverb. But in Ardila Amaya, the phrase seems to reach another dimension. Because in him there are no fragments: there is wholeness. A Social Communicator with a specialization in Cultural Education, his relationship with the Spanish language was not merely academic. It was—and continues to be—an almost obsessive pursuit, often self-taught, that made him a reference point as a linguist, columnist, writer, and editor of countless publications.

For years, from spaces such as Publications and Teleuis Comunicaciones at the Industrial University of Santander (UIS), he left his mark on entire generations of students and readers. His rigor with language was not a whim; it was conviction. In times of immediacy, he defended precision; in noisy eras, he championed clarity.

But his story does not remain on the page. For more than three decades, his name has also resonated on musical stages alongside the group Los Muchos, where his love for Colombian music finds another way to express what words cannot.

In Santander, his figure is well known. For many, he is a living symbol of the cultural movement: someone who not only participated, but helped sustain it. His work has been a bridge between generations, between disciplines, between ways of understanding art and communication.

This Thursday, when he receives the recognition at FILBO, it will not be merely a ceremonial act. It will be a tribute to a life that chose culture as its destiny and coherence as its path. Because in times when everything seems fleeting, stories like that of Puno Ardila Amaya remind us that there are still trajectories built with patience, passion, and a deep fidelity to words.

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